Wishing you all a happy and safe Eid al-Fitr this Saturday
Eid al-Fitr is an important religious holiday celebrated by Muslims worldwide, marking the end of Ramadan, the Islamic holy month of fasting.
To celebrate, we’ve compiled a list of must-read YA books by incredible Muslim authors from around the world.
We all love someone. We all fear something. Sometimes they live right next door – or even closer.
Kane will do everything he can to save his mother and his little brother Sam from the violence of his father, even if it means becoming a monster himself.
Mrs Aslan will protect the boys no matter what – even though her own family is in pieces.
Ada wants a family she can count on, while she faces new questions about herself.
Mr Bailey is afraid of the refugees next door, but his worst fear will take another form.
And Gugulethu is just trying to make a life away from terror.
On this street, everyone comes from different places, but to find peace they will have to discover what unites them.
A deeply moving, unflinching portrait of modern Australian suburban life.
Welcome to my world. I’m Amal Abdel-Hakim, a seventeen year-old Australian-Palestinian-Muslim still trying to come to grips with my various identity hyphens.
It’s hard enough being cool as a teenager when being one issue behind the latest Cosmo is enough to disqualify you from the in-group. Try wearing a veil on your head and practising the bum’s up position at lunchtime and you know you’re in for a tough time at school.
Luckily my friends support me, although they’ve got a few troubles of their own. Simone, blonde, gorgeous and overweight – she’s got serious image issues, and Leila’s really intelligent but her parents are more interested in her getting a marriage certificate than her high school certificate!
And I thought I had problems…
In an unnamed Middle Eastern security state, a young Arab-Indian hacker shields his clients—dissidents, outlaws, Islamists, and other watched groups—from surveillance and tries to stay out of trouble. He goes by Alif—the first letter of the Arabic alphabet, and a convenient handle to hide behind. The aristocratic woman Alif loves has jilted him for a prince chosen by her parents, and his computer has just been breached by the state’s electronic security force, putting his clients and his own neck on the line. Then it turns out his lover’s new fiancé is the “Hand of God,” as they call the head of state security, and his henchmen come after Alif, driving him underground.
When Alif discovers The Thousand and One Days, the secret book of the jinn, which both he and the Hand suspect may unleash a new level of information technology, the stakes are raised and Alif must struggle for life or death, aided by forces seen and unseen.
The Crescent Moon Kingdoms, home to djenn and ghuls, holy warriors and heretics, are at the boiling point of a power struggle between the iron-fisted Khalif and the mysterious master thief known as the Falcon Prince. In the midst of this brewing rebellion a series of brutal supernatural murders strikes at the heart of the Kingdoms. It is up to a handful of heroes to learn the truth behind these killings:
Doctor Adoulla Makhslood, “the last real ghul hunter in the great city of Dhamsawaat,” just wants a quiet cup of tea. Three score and more years old, he has grown weary of hunting monsters and saving lives, and is more than ready to retire from his dangerous and demanding vocation. But when an old flame’s family is murdered, Adoulla is drawn back to the hunter’s path.
Shabnam Qureshi is a funny, imaginative Pakistani-American teen attending a tony private school in suburban New Jersey. When her feisty best friend, Farah, starts wearing the headscarf without even consulting her, it begins to unravel their friendship. After telling a huge lie about a tragedy that happened to her family during the Partition of India in 1947, Shabnam is ready for high school to end. She faces a summer of boredom and regret, but she has a plan: Get through the summer. Get to college. Don’t look back. Begin anew.
Everything changes when she meets Jamie, who scores her a job at his aunt’s pie shack, and meets her there every afternoon. Shabnam begins to see Jamie and herself like the rose and the nightingale of classic Urdu poetry, which, according to her father, is the ultimate language of desire. Jamie finds Shabnam fascinating—her curls, her culture, her awkwardness. Shabnam finds herself falling in love, but Farah finds Jamie worrying.
With Farah’s help, Shabnam uncovers the truth about Jamie, about herself, and what really happened during Partition. As she rebuilds her friendship with Farah and grows closer to her parents, Shabnam learns powerful lessons about the importance of love, in all of its forms.
When Ali first meets Amirah, he notices everything about her—her hijab, her long eyelashes and her red trainers—in the time it takes to have one look, before lowering his gaze. And, although Ali is still coming to terms with the loss of his mother and exploring his identity as a Muslim, and although Amirah has sworn never to get married, they can’t stop thinking about each other. Can Ali and Amirah ever have a halal “happily ever after”?
In a country teetering on the brink of civil war, two young people meet—sensual, fiercely independent Nadia and gentle, restrained Saeed. They embark on a furtive love affair and are soon cloistered in a premature intimacy by the unrest roiling their city. When it explodes, turning familiar streets into a patchwork of checkpoints and bomb blasts, they begin to hear whispers about doors—doors that can whisk people far away, if perilously and for a price. As the violence escalates, Nadia and Saeed decide that they no longer have a choice. Leaving their homeland and their old lives behind, they find a door and step through.
Exit West follows these characters as they emerge into an alien and uncertain future, struggling to hold on to each other, to their past, to the very sense of who they are. Profoundly intimate and powerfully inventive, it tells an unforgettable story of love, loyalty, and courage that is both completely of our time and for all time.
In a series of personal letters to his sons, Omar Saif Ghobash offers a short and highly readable manifesto that tackles our current global crisis with the training of an experienced diplomat and the personal responsibility of a father. Today’s young Muslims will be tomorrow’s leaders, and yet too many are vulnerable to extremist propaganda that seems omnipresent in our technological age. The burning question, Ghobash argues, is how moderate Muslims can unite to find a voice that is true to Islam while actively and productively engaging in the modern world. What does it mean to be a good Muslim?
Nahri has never believed in magic. Certainly, she has power; on the streets of 18th century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trade she uses to get by—palm readings, zars, healings—are all tricks, sleights of hand, learned skills; a means to the delightful end of swindling Ottoman nobles.
But when Nahri accidentally summons an equally sly, darkly mysterious djinn warrior to her side during one of her cons, she’s forced to accept that the magical world she thought only existed in childhood stories is real. For the warrior tells her a new tale: across hot, windswept sands teeming with creatures of fire, and rivers where the mythical marid sleep; past ruins of once-magnificent human metropolises, and mountains where the circling hawks are not what they seem, lies Daevabad, the legendary city of brass, a city to which Nahri is irrevocably bound.
A romantic and relevant debut about Islamophobia and how it affects the normal life of a teenage girl.
‘I don’t want something . . . expected. I want to go to film school and be the first Indian American to win an Oscar, and then I can meet the One and fall in big, heart-bursting love, and we’ll travel the world, my camera ready to capture our adventures.’
Maya Aziz dreams of being a film maker in New York. Her family have other ideas. They want her to be a dutiful daughter who wears gold jewellery and high heels and trains to be a doctor. But jewellery and heels are so uncomfortable . . .
She’s also caught between the guy she SHOULD like and the guy she DOES like. But she doesn’t want to let Kareem down and things with Phil would never work out anyway. Would they?
Then a suicide bomber who shares her last name strikes in a city hundreds of miles away and everything changes . . .
How much can you tell about a person just by looking at them?
Janna Yusuf knows a lot of people can’t figure out what to make of her…an Arab Indian-American hijabi teenager who is a Flannery O’Connor obsessed book nerd, aspiring photographer, and sometime graphic novelist is not exactly easy to put into a box.
And Janna suddenly finds herself caring what people think. Or at least what a certain boy named Jeremy thinks. Not that she would ever date him—Muslim girls don’t date. Or they shouldn’t date. Or won’t? Janna is still working all this out.
While her heart might be leading her in one direction, her mind is spinning in others. She is trying to decide what kind of person she wants to be, and what it means to be a saint, a misfit, or a monster. Except she knows a monster…one who happens to be parading around as a saint…Will she be the one to call him out on it? What will people in her tight knit Muslim community think of her then?
A boy. A girl. Two families. One great divide.
When Michael meets Mina, they are at a rally for refugees – standing on opposite sides.
Mina fled Afghanistan with her mother via a refugee camp, a leaky boat and a detention centre.
Michael’s parents have founded a new political party called Aussie Values.
They want to stop the boats.
Mina wants to stop the hate.
When Mina wins a scholarship to Michael’s private school, their lives crash together blindingly.
A novel for anyone who wants to fight for love, and against injustice.
The Authentics is a fresh, funny, and insightful novel about culture, love, and family—the kind we are born into and the ones we create.
Daria Esfandyar is Iranian-American and proud of her heritage, unlike some of the “Nose Jobs” in the clique led by her former best friend, Heidi Javadi. Daria and her friends call themselves the Authentics, because they pride themselves on always keeping it real.
But in the course of researching a school project, Daria learns something shocking about her past, which launches her on a journey of self-discovery. It seems everyone is keeping secrets. And it’s getting harder to know who she even is any longer.
With infighting among the Authentics, her mother planning an over-the-top sweet sixteen party, and a romance that should be totally off limits, Daria doesn’t have time for this identity crisis. As everything in her life is spinning out of control—can she figure out how to stay true to herself?
Lulu Saad doesn’t need your advice, thank you very much. She’s got her three best friends and nothing can stop her from conquering the known world. Sure, for half a minute she thought she’d nearly drowned a cute guy at a party, but he was totally faking it. And fine, yes, she caused a scene during Ramadan. It’s all under control. Ish.
Except maybe this time she’s done a little more damage than she realises. And if Lulu can’t find her way out of this mess soon, she’ll have to do more than repair friendships, family alliances, and wet clothing. She’ll have to go looking for herself.
In a country ripped apart by war, Tareq lives with his big and loving family . . . until the bombs strike. His city is in ruins. His life is destroyed. And those who have survived are left to figure out their uncertain future.
In the wake of destruction, he’s threatened by Daesh fighters and witnesses a public beheading. Tareq’s family knows that to continue to stay alive, they must leave. As they travel as refugees from Syria to Turkey to Greece, facing danger at every turn, Tareq must find the resilience and courage to complete his harrowing journey.
But while this is one family’s story, it is also the timeless tale of all wars, of all tragedy, and of all strife. When you are a refugee, success is outliving your loss.